The day started well. When we were cleaning up the mouldy rubbish in the cellar of my parents, I stepped in a rusty nail and had to go get an update of my tetanus vaccination.
Yesterday I worked on my Brexit and Oscar paintings but I’m not very happy with the result. At this point, I’m not sure if there is any point in creating more useless art. There is too much of it everywhere already. It’s probably more useful to save stray cats and the bees.
I painted some more sketches in oil paint on unprepared brown paper, which is not a very good idea and they will not last. Here is a sample of an unfinished one, not very well photographed.
Henry is still on my plate. I think it’s not just the images that caught my eye, but also the theatrical, campy, elegant way LO moves. Unfortunaly that is not something one can capture in a drawing or a painting (e.g. 1.27 and after):
I found another classic movie in the local recycling shop.
I have retrieved Charles from storage, because he’s only half done. Not sure if I should continue or start all over again.
Came across more reference images. Here is one of them:
The quest is going well but I have so many leads to follow I don’t know where to start. Also, I have found a remarkable stone but I don’t know what to do with it yet. It doesn’t prevent stepping in rusty nails, unfortunately.
I can still call my quest the quest of the sword because Charles the Bold had a rather fancy magical sword. It originally belonged to his father Philip, and was customised for him and afterwards looted by the Swiss, I suppose. However, I don’t have to look for this sword, it is not hidden. It is in a museum and quite out of my reach.
What I really need to find, though, is his cold, dead, shrivelled heart.